Cover albums are a risky business. Artists run not only the risk of butchering classics, but also sounding like a second rate imitation. Hatebreed opted for the latter on 2009’s For the Lions. The much anticipated release of covers features a collection of the bands favorite and most influential songs from the pioneers of hardcore and metal.
The main downfall of For the Lions is that it lacks any creativity. The problem lies in Hatebreed’s decision to choose songs from bands who heavily influenced the sound of their band. Crowbar’s All I Had (I Gave) was definitely the worst offender as Jamey and Kirk have almost identical vocal stylings to begin with. Others include Madball’s Set It Off, Judge’s Hear Me, Sepultura’s Refuse/Resist, and Sick of it All’s Shut Me Out.
Fortunately, a few songs stand out on the album. It’s the Limit, originally by Cro-Mags, is a great improvement from the original. Though the band took few liberties with the arrangement, Jasta’s vocals are far superior to John Joseph’s and it is that factor which made this song tolerable. A surprising cover, and easily the best track on the album, is Supertouch/Shitfit, originally performed by the Bad Brains. Jasta’s vocal ability truly stands out in his ability to adapt the original style to his own and make it sound like a Hatebreed original.
The other victory of this album is the return of original guitarist, Wayne Lozinak. Though most fans would agree Sean Martin was a great replacement, there is no denying that Lozinak can nail the fast past shredding that was much noticed on this album. It was no doubt his abilities that allowed the band to take on the more challenging Metallica, Slayer, and Obituary songs.
For what it’s worth, I give this album a 2.5 out of 5 for lacking any shred of originality. Please boys, in the future, reach outside your genre for songs to cover.
For the Lions will be available in stores May 5, 2009. Look for a special edition featuring exclusive bonus tracks only at Best Buy.
